Film Exposure
Site consacré au cinéma proposant des articles de fond et documentés.
Zombies are everywhere but they’re also adaptable – actually, their ubiquity might be linked to their malleability. Zombies can be urban, horrifying, comedic, romantic, spatial even… so why not use […]
Plays like a revival of 90s Hong Kong actioners for better and for worse.
Schrader succeeds perfectly in portraying Leonad’s stream of consciousness, of a person suffering from senility, or at least not completely lucid, using a fragmented narrative that reflects the mind of the protagonist.
Everything we like about Hong Kong action cinema in one cool movie.
14th century sorcerers and futuristic robots team-up against aliens.
In Monster, director Kore-eda Hirokazu furthers his ongoing humanistic interest in intra-family relationships, particularly those in nontraditional family settings. Building on the familial dynamics examined in his previous works such […]
In spite of being an atmospheric noir thriller, we go from one chase to the next, from one police raid to the next shootout.
A rough, mean, engaging little brawler that whoops ass? Yes please.
We talk moving away from typical masala films, filming action in confined spaces, building flexible sets, finding future action star Lakshya, and collaborating with Korean action designer Oh Se-yeong!
Rarely have modern martial arts films showcased such an exceptional level of formal control.
The Last Stop in Yuma County harnesses the power of the contained single-location thriller to deliver a tense, smart, and efficient directorial debut.
One Percenter is a panegyric of “flow” fighting, TAK-realism, and self-seriousness. If you’re on the same wavelength, it’s just as intense as you’d expect.
Creation of the Gods: Kingdom of Storms emerges as a compelling take on the foundational myth of Chinese civilization, and a refreshing revamp of the country’s mythological epic formula.
Kill is destined to become an action favourite amongst fans of the genre, alongside recent high violence movies such as The Raid 1 & 2 and The Night Comes For Us.
A cup of saké, the sound of a train going by; it takes time for the world to adjust, the music has quieted down and in loss we glimpse life. […]
Years after two of the most entertaining films to ever come out of South Korea – The Thieves and Assassination – director Choi Dong-hoon finally returns with Alienoid, the first […]
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